Come to a synth sight to complain about new synths and say vsts are good enough, maybe no point for you, and if so no need to complain and read about em. Some people love a good monosnynth, and clearly their is a market for it,

It sounds like you don’t understand the basic design difference between monophonic and polyphonic synths.

Polyphonic synths are designed so that they have the controls and capabilities to effectively create chordal and polyphonic performances, where voices need to blend. A good polysynth is designed so that the knobs and controls are in the ‘sweet spot’ for creating polyphonic textures. A great example is the CS80, which has pretty limited synthesis capabilities, but a huge ‘sweet spot’ of poly sounds.

Monosynths are designed with the opposite intention – they’re designed to create leads, basses and effects that stand out and cut through other voices. They generally have a wider range of sonic capabilities and controls that let you quickly dial in distinct leads and bass sounds. Think of the Pro-One, which is in the same family as the Prophet, but is designed to have a more aggresive , cutting sound and snappier envelopes.

Synths that are designed to do everything, on the other hand, don’t have a ‘sweet spot’ for anything, which makes them a lot less useful for musicians that value their time.