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Tag: Schmidt Synthesizer

Schmidt Vi Recreates $25,000 Monster Synth In Software

Schmidt Synthesizer has announced Schmidt Vi, a software recreation of its flagship Schmidt 8-voice Analog Synthesizer, a $25k monster synth. … Read More Schmidt Vi Recreates $25,000 Monster Synth In Software

May 6, 2026May 6, 20265 Comments

‘No Expense Spared’ Schmidt Synthesizer Now Available Again

The synthesizer is physically massive, with a huge, tilting front panel that features dedicated controls for all sound programming functions. It features aan eight-voice analog, based on discrete circuits, with individual outputs per voice.… Read More ‘No Expense Spared’ Schmidt Synthesizer Now Available Again

December 18, 2020December 18, 202022 Comments

Jean-Michel Jarre & The ‘Rolls Royce Of Analog Synthesizers’, The Schmidt Synthesizer

Jean-Michel Jarre shared this video, sharing his thoughts on what he calls the ‘Rolls Royce of analog synthesizers’, the Schmidt Synthesizer. … Read More Jean-Michel Jarre & The ‘Rolls Royce Of Analog Synthesizers’, The Schmidt Synthesizer

September 21, 201725 Comments

Schmidt Synthesizer Available Again For 19,900 Euro

Schmidt-Synthesizer, makers of the high-end Schmidt Eight Analog Synthesizer, have announced that they are now taking orders on a third batch of 25 synths, in both black and white finishes. Originally introduced at Musikmesse in 2011, a ‘final’ run of the Schmidt Synthesizer was announced in 2016. 

September 16, 2017September 16, 201722 Comments

White Schmidt Synthesizer Sneak Preview

Details are to come next week – but here’s a quick look at the new monster synth. … Read More White Schmidt Synthesizer Sneak Preview

November 26, 201618 Comments

A Final Run Of The $20K+ Schmidt Polyphonic Synthesizer Has Been Announced

German instrument distributor Electronic Music Components (e:m:c) has announced that it is taking orders on what it say will be the last 25 Schmidt Polyphonic Synthesizers, one of the most ambitious analog synths ever created.

March 30, 2016March 30, 201620 Comments

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What is most important to me is the transformation of a sound by slowing it down, sometimes extremely, so that the inner of sound becomes a conceivable rhythm.

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