that was the point, also what age group? 55 year olds who listened to some of the chosen songs when they came out or young people who can appreciate someone using synthesizers in a score just as older people appreciated movies that used synthesizers in a score during the 60s and 70s?

Any more bizarre than Vangelis doing a synth soundtrack for Chariots of Fire?

Vangelis showed how well this approach can work 40 years ago.

Why is using a synth soundtrack for a period film any weirder than using an orchestra for a science fiction film? If it works, it works.