Oddment Audio Announces ODD-1 Granular Desktop Synthesizer

Ahead of Superbooth 2026, Oddment Audio has introduced ODD-1, a standalone hardware instrument designed around a granular and microsonic synthesis engine.

The ODD-1 is structured as a modular-style system where sound generation, processing, and modulation are organized into functional blocks that can be routed and combined for sound design.

At its core, the instrument uses a variable-speed time path and multi-playhead granular processing to manipulate audio independently of pitch and time relationships. This allows for stretching, reversing, freezing, and reordering audio material while maintaining control over grain-level parameters.

The system is organized into two independent layers, each capable of acting as a multitimbral synthesizer, sampler, looper, or effects processor. Layers can operate separately or in combination, supporting multi-voice and multi-sample configurations.

ODD-1 includes a modulation architecture that allows extensive parameter control through internal sources such as LFOs, envelopes, macros, and control inputs, as well as external MIDI and control voltage signals. Nearly all parameters can be assigned modulation sources through a direct mapping workflow.

Here’s an intro video, via BoBeats:

Features:

  • Sound engine
    • Microsonic / granular synthesis engine
    • Variable-speed time path for independent pitch and time manipulation
    • Four independent playheads per layer
    • Per-grain spatial processing and filtering
    • Audio capture and sample-based playback
  • Synthesis architecture
    • Two independent layers
    • Each layer functions as synth, sampler, looper, or effects processor
    • Up to 8 stereo samples simultaneously
    • 8-voice polyphony across layered architecture (configuration dependent)
    • Dual stereo filters per voice with multiple filter types
    • Per-voice saturation, distortion, bit crushing, and compression
    • Dual echo units per layer with feedback processing
  • Modulation and control
    • 4 LFOs per system
    • 3 envelope generators
    • 4 macro controls
    • Control signal inputs assignable to parameters
    • MIDI control with full parameter mapping
    • Per-parameter modulation assignment via hold-to-assign workflow
    • MPE support
  • Hardware and I/O
    • 18 encoders with integrated switches and LED feedback
    • 2.8” capacitive touchscreen interface
    • 4 CV inputs configurable for expression, sustain, or modular control
    • Stereo audio input and output (3.5mm)
    • Headphone output with integrated microphone input (TRRS)
    • MIDI In/Out (TRS and USB) with MIDI 2.0 support
    • USB-C connectivity for data transfer and firmware updates
    • Dedicated power input (12V DC)
  • Storage and performance
    • Patch memory system for full performance recall
    • 4GB user sample storage
    • 2GB factory sample library
    • Multi-sample and multi-layer patch architecture
    • Real-time audio capture from external sources (line, mic, USB)

Pricing & Availability:

ODD-1 is available now for pre-order, priced at $999 USD, with shipping of initial units expected in the July/August 2026 timeframe.

One thought on “Oddment Audio Announces ODD-1 Granular Desktop Synthesizer

  1. Dai tempi di Xenakis e Truax, la sintesi granulare si è evoluta grazie anche a piccole aziende composte da due o tre persone, come Tasty Chips, Torso Electronic, Beetlecrab audio… e adesso Oddment Audio… secondo me la sintesi granulare rappresenta la nuova frontiera della costruzione sonora contemporanea. Diversamente dalle sintesi classiche ormai simili a se stesse, irrigidite in DCO-DCF-DCA con qualche variazione, i costruttori di hardware granulare o microsonico che dir si voglia, in virtù anche di una imitativa concorrenza produttiva tra loro, sono spinti a creare macchine nuove o con nuove funzioni, come succede in altri ambiti produttivi per esempio quello automobilistico e in altri ambiti… forse giungeranno anche loro a una stagnazione creativa, in certi periodi se saranno privi di idee nuove, come è successo con la modulazione di frequenza…

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